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For the next thirty-three years, Dong Haichuan’s tomb set peacefully near the East Gate of Beijing. Many bagua practitioners visited the tomb through the years and paid their respects to the founder
of the art. Change, which is such a major part of the bagua philosophy, came in a vengeance during the Chinese Cultural Revolution during the 1960’s. This twisted political movement, led by Mao Tse-Tung, was a result of conflict within the ruling Communist Party. It recruited young children and students into an organization called the Red Guard. This organization was tasked with eliminating old culture, old customs, old habits and old ways of thinking. These were to be replaced with all new culture, customs, habits and ideas. What was considered as old and new was left to the whim of the Red Guard. Dong Haichuan’s tomb, being considered part of the old culture, was destroyed. The steles, which were erected by his students from 1883 to 1930, were knocked down and buried. The tomb of the founder of baguazhang was buried beneath a farm field for seventeen years.
Eventually, the Cultural Revolution came to an end. In 1980, it was learned that plans were being developed to build a housing project on the land where Dong was buried. A group of bagua practitioners, led by Li Ziming, unearthed the steles and erected them in front of the Beijing Physical Education College at the Wu Shu arena. Many of the students at the college objected to the tombstones and a plan was made to remove them, along with Dong’s remains, to a public cemetery. This group of bagua practitioners erected a new monument at the Wan An cemetery, which is opposite of the Reclining Buddha Temple in the western outskirts of Beijing. The new monument consists of three structures.
The Center Monument – contains Dong Haichuan’s remains. It is an eight-sided structure, which reflects the bagua symbol. Each side of the structure has an inset plaque that represents one of the eight trigrams of the bagua. Under each trigram plague is another plaque that lists the names of bagua practitioners that were involved in the monument construction and tomb relocation effort.
The Front Wall Monument – sitting in front of the eight-sided center monument. [It is on the left of the above picture.] It contains three engraved stones on both sides for a total of six. The stones on the front of the wall state who is buried at the monument and contains a list of names of those involved in the restoration project. On the back of the wall, the center stone gives a short account of Dong’s life and further states that 442 people were involved in moving the tomb to the new location. The stone on the right gives a list of baguazhang practitioners in China that live outside of Beijing that are spreading the art. The stone on the left lists Chinese that live overseas who are spreading the art.
The Back Wall Monument – sitting behind the eight-sided center monument. [It is on the right in the above picture.] The four historic original steles were set into this wall. These include the 1883 Yin Fu First Stele, the 1904 Yin Fu Second Stele, the 1930 Ma Gui Third Stele, and the 1930 Lu Shukui Fourth Stele. Both sides of the original steles are visible on this monument.
The Korean Stele – this was added in June 1991 and details the Baguazhang lineage of the Korean branch of the art. Lu Shuitien, a Chinese man that moved to Korea at the end of war with Japan, started this branch. This stele is not shown in the photograph.
The monument to the founder of baguazhang is a source of great pride to many practitioners of the art. It is considered as a highlight to many when visiting Beijing.
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